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SHYGA! The Sunlight Mound - Digital Download - Psychedelic Porn Crumpets

SHYGA! The Sunlight Mound - Digital Download

$10.20
12_Mango Terrarium_M2_24.wav
02_Tally Ho_M2_24.wav
06_The Terrors_M2_24.wav
08_Glitter Bug_M2_24.wav
04_Tripolasaur_M2_24.wav
05_Mr Prism_M2_24.wav
14_The Tally of Gurney Gridman_M2_24.wav
07_Hats Off to the Green Bins_M2_24.wav
10_Pukebox IV_M2_24.wav
11_Mungdungus_M2_24.wav
03_Sawtooth Monkfish_M2_24.wav
01_Big Dijon_M2_24.wav
09_More Glitter_M2_24.wav
13_Round the Corner_M2_24.wav

Tracklisting:

  1. Big Dijon
  2. Tally Ho
  3. Sawtooth Monkfish
  4. Tripolasaur
  5. Mr. Prism
  6. The Terrors
  7. Hats Off to the Green Bins
  8. Glitter Bug
  9. More Glitter
  10. Pukebox
  11. Mundungus
  12. Mango Terrarium
  13. Round the Corner
  14. The Tale of Gurney Gridman

Psychedelic Porn Crumpets continue to assert their status as one of Australia’s hardest working bands - pandemic be damned - in announcing the release of their new album, SHYGA! The Sunlight Mound, set for release February 2021. For the Perth group, creativity and production hasn’t stopped in 2020. Despite much of this year’s tour plans being put on pause, Psychedelic Porn Crumpets have used their time off road to continue preparing themselves for the release of their fourth studio release, and an eventual blistering return to stages around the world with a heavy-hitter of an album primed for the live space.

Psychedelic Porn Crumpets have already given fans an early taste of the forthcoming SHYGA! era, with ‘Mr. Prism’ in August. The creation of SHYGA! The Sunlight Mound, especially off the back of 2019’s huge LP And Now For The Whatchamacallit, came together in a different environment for McEwan and the results speak to the band’s evolution and McEwan’s evolution as a songwriter.

“For the first time in a long time I was home without any tours booked, no work, no deadlines and I felt free to create. My writing process became ritualistic; every morning starting with a small walk to the local bottle shop at 11am and writing whatever flowed, allowing myself to design in all styles without boundaries, and not trying to theme the album early on. I haven’t had the luxury of writing this way since the first record, which I spent almost a year working on. It felt like I was myself again, creating without opinion or constraints. I was gliding through weeks with a day seeming to pass.”

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